Latin Dance
Wednesday, 16 May 2012
Wednesday, 2 May 2012
Banned for 8 years: Steven and Rachelle Grinbergs plaas
Can no longer play an Australian national championship for the next 8 years. It 's the case of the pair jumped out of the race in Australia, of which infoDANZA had published an article in December.
The Australian samples Grinbergs Steven and Rachelle plaas had been banned by the World DanceSport Federation for having dancedin a competition unauthorized WDSF calendar. Grinbergs plaas andhad danced at competitions: the London Ball, Singapore Open, USAOpen and The Star Ball. The news was released by the Secretary-General WDSF Shawn Tay last April 5, effectively inhibitingthe couple's participation in all the races WDSF, including theAustralian league, until 2020.
Don McRobert, president of the federation of dance sport in Australia,said on the official website that "has no power to prevent the suspension from a competition of couples enrolled in the International Federation"
The Australian samples Grinbergs Steven and Rachelle plaas had been banned by the World DanceSport Federation for having dancedin a competition unauthorized WDSF calendar. Grinbergs plaas andhad danced at competitions: the London Ball, Singapore Open, USAOpen and The Star Ball. The news was released by the Secretary-General WDSF Shawn Tay last April 5, effectively inhibitingthe couple's participation in all the races WDSF, including theAustralian league, until 2020.
Don McRobert, president of the federation of dance sport in Australia,said on the official website that "has no power to prevent the suspension from a competition of couples enrolled in the International Federation"
Wednesday, 18 April 2012
Daniella Novak on WDSF European Latin
Daniela Novak lives in Ljubljana, Slovenia. She is a former champion and now a trainer, coach and adjudicator.
Daniela and her husband Fredi Novak created Fredidance Team and they run the Fredidance Club in Slovenia which is where most of the Slovenian champions come from.
This article was originally published on Facebook.
My intention before this competition was to stick to commenting the dancing only and to leave results totally out of this report. But I can't!
For many years I have been following these official Championships, usually as a coach of the Slovenian couples and I have witnessed more or less the same power games on every one of them! The game is the same, some of the players also stay the same, but we also see some new ones replacing some old ones. I was never interested in politics on any level! I believe that only mediocre people with inferiority complex are interested in the power games called politics! Unfortunately European Championships regularly prove to be good playground for them at the expense of the couples not fortunate enough to come from the "right" country, the "right" team, or not having "their"adjudicator on the panel. To make this farce even worse, there is more and more couples representing countries that none of the dancers come from. And hey, they actually have an advantage, they have not one, not two, but three countries behind them. Actually the previous champions proved that it works, so let's use the formula! I wonder what is next...
To illustrate why I can't ignore political games I will give you one example (I am sure you can find more yourselves in the competition sheets): if there would be a Slovenian adjudicator who would do the same what the Spanish adjudicator did (which BTW is very unlikely!) there would be two Slovenian couples in the semi final instead of two Spanish couples! The couple that finished 9th(!!!!!) had 2 marks more than SloveniansDamir Halužan and Anna Maschyts who were 15th! 2 marks=6 places difference! In Singapore they were not close to quarter final! Correct me if I am wrong, but the other Spanish couple who finished close to the final(!!!!!!) in 8th place danced the re-dance in Singapore and finished48th!!!! That was 6 months ago! I don't say that these couples are not good, but better than Timur Imametdinov and Ekaterina Nikolaeva? Better than Marius Balan and Nina Bezzubova, Gabriele Goffredo and Anna Matus??? Sorry Karina, you lost my respect for this! You may be a hero in Spain, but.....
Three other couples that I did not see in this semi final were from Ukraine, Romania and Latvia. From the Romanian couple (Sergiu Luca and Maria Pia Arces) I quite like the man, but the lady is very rigid and doesn't use her body well enough to be among the top 12 (14).They have good impact on the floor, striking appearance, but I don't see any deep quality there. Sorry guys! I will take more time to look at you next time, maybe I am missing something here. I confess that you didn't grab my attention this time. Ukrainan couple (Artem Lazarov and EkaterinaIsakovich) were in the semi final obviously for other reasons then the quality of their movement, because they are weak starting from the feet up. She is strikingly beautiful, but this is not a beauty contest! I won't go into the details, but for me they were one of the weakest couples in the 24. Latvian couple Jevgenijs Suvorovs and Tina Bazokina are still quite fresh partnership and they have improved a lot. He was dressed cleverly to hide his weakness, which is his posture,but unless he does something to work on the problem, I believe that this result is the limit.
On the contrary, the other couple from Latvia was for me a candidate for the final! Slavik Visnakovs and Tereza Kizlo, and Marius Balanand Nina Bezzubova were, for me, two contestants for the final and I don't mind that Marius and Nina made it (out of THAT semi final!). Both couples have distinctive recognisable style, which is rare among dancers so young and especially both ladies are very charismatic. I personally like the style of Slavik and Tereza better, because it is more sophisticated and because they share more. Nina is sometimes in her own world not letting Marius in, and when that happens, he is just there physically, not connected with her on a deeper level.
In general I must say that I am noticing the shift towards shallow, cocky, undignified, cheap ... dancing among adult couples. It is almost like people today are favouring "Justin Biebers" of the dance floor over "Frank Sinatras". A huge step backward, if you ask me. I am aware that we are discussing amateurs, not professionals, but this is becoming ridiculous. Apart from dancers like Martino Zanibellato and MichelleAbildtrup, Timur Imametdinov and Ekaterina Nikolaeva, Andrei Zaytsev and Anna Kuzminskaya, Damir Halužan and AnnaMaschyts, the two previously mentioned couples, Nino Langella and Khrystyna Moshenskaya and a few more, who are presenting their dance with some substance, the majority of the dancers look like they have just barely reached puberty and think that they are at the top of the world and it's all just a form of competitive physical activity. Who cares about music (they actually played Justin Bieber, Britney Spears, Lady Gaga and similar staff!!!!), about the story, about creating an atmosphere etc. Girls are taught and encouraged to be seductive and sexy, boys to be arrogant and aggressive and the problem is, that those who exaggerate this the most, are more successful. So now we have some top girls who look, move and act vulgar, some top boys that dance with a cocky attitude to show their pseudo superiority or they ignore completely basic fundamentals that protect our dance form. Most emphasis is put towards impressing the judges and the audience. I see lack of understanding the basic mechanical principles and discipline of the body in motion. It is normal, that we have dancers on different levels in the competitions, but I think that we never before witnessed so much bad dancing being rewarded as we do nowadays. It is alarming, and unless something changes fast, we will lose the art completely and become a cross between bad gymnastics and circus!
I know that I sound very critical, but it really makes me sad that so many people with power (the power game people!) care so little about dancing. Everything else seems to be more important. Who is who, who "supports" the people with power and gets rewarded for it by getting a chance to judge the most important competitions. And of course, business always comes first. Who cares that the music was not appropriate, the audience loved it. Who cares that the venue was not appropriate, it was full. Who cares that some wrong couples got recalls, next time it will be other ones anyway. Let's wait and see if in Vienna we will have two Austrian couples in the semi final. They were both in the re-dance this time, but there is again 6 months time to the World Championship, so I guess anything is possible! To be fair, I think that Sergiy Georgiyev and OlenaKhablenko who finished 48th deserved better result and that her image was the problem.
I will not comment on the result of the top three couples. They have very different style and that is why they appeal to different people. Michelle and Martino are the closest to the original Latin and they are also the most narrative dancers in my opinion. Their Paso Doble is very dramatic and in character and usually musicality is their strong point, but this time it was not easy to show it. Michelle in black dress looked slightly too sharp, especially because the lighting was not so good (mind you, hip hop gear would probably be the most appropriate choice under the circumstances!).
Andrei and Anna have beautiful and clean movement, everything is precise,every detail has been addressed and they have improved also their emotional and narrative side of their performance in the last year. Her dress for this occasion was cleverly hiding an arm injury. I was amazed that they could dance so good despite it. Most people were unaware that she danced with a broken arm!
Nino and Khrystyna have fans mostly in younger generation of dancers. They are good looking, fashion orientated (trend-setters), exciting to watch. Nino's abilities are no secret to anybody in the dance world and she is getting better in partnering him. The change of her dress in the final was not needed and that dress didn't suit her style of dancing as much as the red one.
I congratulate Nino and Khrystyna, the new European Champions, and I am looking forward to seeing the next event where all the top couples will meet again.
As promised, here are some notes about couples noticed in the first 2 rounds of European Latin in Cambrils.
I decided to use the couples numbers only, because it is my goal to help them with my short observations, not to put them down in any way.
Round 1
Samba:
26 very rhythmical and playful
22 clean and readable dancing
31 he is using heel leads where he shouldn't and she is picking the feet of the floor and running
68, 50 both boys are on the outside edges of the feet most of the time, ankles passive
34 slightly too quiet for samba, but together and readable, on the right track, keep going in that direction
48 the boy moves with ease but partnering is not very good, he is too strong and she is loosing balance because of it
22 clean and readable dancing
31 he is using heel leads where he shouldn't and she is picking the feet of the floor and running
68, 50 both boys are on the outside edges of the feet most of the time, ankles passive
34 slightly too quiet for samba, but together and readable, on the right track, keep going in that direction
48 the boy moves with ease but partnering is not very good, he is too strong and she is loosing balance because of it
Cha Cha Cha:
41 the girl is not using the ankles when she walks, she is aware of her instep only in positions as a cosmetic thing
54 the girl has very arched back which is more obvious because she has weak centre awareness, the boy dances CCC on toes and overstretched ankles
14 the boy is all arms and legs and no body, he is not using the energy from the centre, the girl is much more in control
82 the look is unrehearsed, he is to aggressive towards her
43 they are very focused and well rehearsed, good job not responding to provocation from another couple
54 the girl has very arched back which is more obvious because she has weak centre awareness, the boy dances CCC on toes and overstretched ankles
14 the boy is all arms and legs and no body, he is not using the energy from the centre, the girl is much more in control
82 the look is unrehearsed, he is to aggressive towards her
43 they are very focused and well rehearsed, good job not responding to provocation from another couple
Rumba
35 both need stronger centre awareness, everything is on the outside, beautiful girl, she should not try to produce beauty, but go inside and feel more what she is doing, otherwise it is a total fake and it is obvious
83 here the man looks artificial and fake, it is much better when he gives attention to what he does with her then when he tries to project outwards. Then he gets a very unnatural head position and stiff neck. I like the girl very much, she is artistic and genuine. The dress was a bit cheap looking.
13 black and white shoes of the boy were not a good choice, it was just a distraction from the body movement (I noticed that he replaced them later for black ones. Good job coach!). Young looking boy with good lines and fluid movement and a very feminine, graceful and emotional girl.
83 here the man looks artificial and fake, it is much better when he gives attention to what he does with her then when he tries to project outwards. Then he gets a very unnatural head position and stiff neck. I like the girl very much, she is artistic and genuine. The dress was a bit cheap looking.
13 black and white shoes of the boy were not a good choice, it was just a distraction from the body movement (I noticed that he replaced them later for black ones. Good job coach!). Young looking boy with good lines and fluid movement and a very feminine, graceful and emotional girl.
Paso Doble
38 well rehearsed PD, there should be more balance between them, the girl looks much weaker than the boy (man), her feet and legs are not working enough, simple black outfit without any decoration can be very effective, but only if you are good enough to pull it off. If you expect to struggle for the next round, it is a big risk. The dress didn't help her and her make up was also making her look dull and pale.
25 another girl who didn't look as good as she could because of wrong choice of the dress and even more because of the hair style-she looked bigger and older than she is. I like the boy, he moves well.
25 another girl who didn't look as good as she could because of wrong choice of the dress and even more because of the hair style-she looked bigger and older than she is. I like the boy, he moves well.
Jive
12,73 ladies have style
72 great jive, different, very much in character, playful,showing great abilities with taste and good measure
72 great jive, different, very much in character, playful,showing great abilities with taste and good measure
Re-dance
Samba
25 re-dance?????
48 the girl is not using her body enough, her sides are all the time stretched, he is one moment ignoring her and the next pushing her
31 everything is too much on the outside, she is falling apart trying to do too much all the time
54 not dancing with each other, he has strong presence but a very arrogant one
48 the girl is not using her body enough, her sides are all the time stretched, he is one moment ignoring her and the next pushing her
31 everything is too much on the outside, she is falling apart trying to do too much all the time
54 not dancing with each other, he has strong presence but a very arrogant one
Cha Cha Cha
50 too much of everything, keep your outfits simpler to show the dancing more, cheap looking dress
84 his rib cage is open all the time, rigid torso
79 boy dancing alone, she is not included
84 his rib cage is open all the time, rigid torso
79 boy dancing alone, she is not included
Rumba
71 they look good, but there is not enough substance in what they do, I think they don't really understand what they are doing or they were not focused enough.
31 she needs to be more precise in everything she does, otherwise it all looks messy
24 together, musical, clean... one of better couples in the re-dance
31 she needs to be more precise in everything she does, otherwise it all looks messy
24 together, musical, clean... one of better couples in the re-dance
Paso Doble
24 doing well until the distraction (floor-craft problems)
70 boy open chested, weak centre, too much on the outside
79 they look (and move) very young (15-17), one of the few couples that danced the re-dance with good positive energy
70 boy open chested, weak centre, too much on the outside
79 they look (and move) very young (15-17), one of the few couples that danced the re-dance with good positive energy
Jive
38 her legs are hidden behind the long dress, but it is making her look even weaker in the legs, she needs to learn to use the standing leg more
34 boy has too much tension in the shoulders, they have good image and are well rehearsed
22 girl not using standing leg enough and has rigid back,there is a lot of muscles visible on her body, but she needs to learn to relax them more, boy is a good jiver
34 boy has too much tension in the shoulders, they have good image and are well rehearsed
22 girl not using standing leg enough and has rigid back,there is a lot of muscles visible on her body, but she needs to learn to relax them more, boy is a good jiver
I will continue with a few words about my personal thoughts relating competition outfits and image of the dancers in general.
I don't like:
- - dresses that are "stronger" than the dancer (you can't fool us with an overly decorated and expensive dress!)
- - dresses that don't suit the dancer's style of dancing
- - dresses that make the body look like a "sausage" (No 60!)
- - dresses that reveal too much
- - dresses that "wear the dancer"
- - cheap looking dresses (usually they are not cheap at all, just tasteless!) (No 27-second dress, 50...many!!!!)
- - men looking feminine (see-through material is on the edge, if it is in colour it is too much: a friend said once to me that a guy in a coloured, tight see-through top looks like he is wearing a condom ;)
- - two coloured shoes for men (are they even allowed?)
- - copies (dresses, hair style - Khrystyna's bob is in at the moment, so we saw about 15 girls with the same haircut!)
- - changing dresses during competition, especially if they are not in the same style
- - over-exaggerated make up
- - excessive jewellery on men
What I do like
- - simple dresses with a clever cut that enhances the dancers' physique and style of dancingIf you don't know yet, what is your style and you are still searching, I suggest to keep it simple and try introducing new style with great care, preferably with your coach that knows you well and a good dress designer with a lot of experience. If you will try to be too brave without enough experience you might end up looking like a character out of a SF movie!
- - being "in tune" with everything: your personality, style of dancing, quality of dancing,the type of venue (as I said before, this time hip hop gear would fit perfectly into the venue and the music being played!)...There were two ladies that stood out for their styling this time. One is Tereza Kizlo and the other Nina Bezzubova.Both ladies are very charismatic and original and their outfits always show that. As it often happens, they both appeared in the past in some not so appealing and flattering looks. I usually wasn't very keen on Nina's experiments with hair and her dresses were sometimes very strange. But I understand that she is different and I applaud her for being brave and pursuing her own style both in dancing and in her image on the floor. This time, the peacock inspired dress, together with the hair style and make-up suited her perfectly.I've also seen Tereza in some strange looking cuts before, but lately she has found her style and in Cambrils she looked fabulous. The dress, the make-up, the accessories... everything was done with great care and looked very professional.
To round it up...
I took the liberty to write about the image of the dancers despite the fact that it is not my profession. I just wanted to express my views of the matter, because I understand how much effort (and money) dancers spend on the lessons, travelling... and I think it's a shame if they miss the opportunity to present themselves and their dancing in the best possible way just because they don't put enough attention to their image.
Of course it is not about the dress, it is about your dancing qualities! But be wise and listen to the people who are more experienced than you in this matter and make sure that your coaches and designers work together for your benefit to help you bring out your best assets!
See results from WDSF European Latin at the VI DO World DanceSport 2012 in Spain, Cambrils.
Tuesday, 17 April 2012
Saturday, 14 April 2012
Blackpool Junior Latin Result
1 | RICHARD LIFSHITZ & MORGANA LAKATOS-HAYWARD (CANADA) | 215 | F | ||
2 | NIKITA PAVLOV & DARIIA PALYEY (RUSSIA) | 244 | F | ||
3 | LUKE MILLER & HANNA CRESSWELL (ENGLAND) | 252 | F | ||
4 | DENYS KAZAKOV & KATERYNA SAKHANENKO (UKRAINE) | 64 | F | ||
5 | ILYA KASHIRKIN & ANNA MAYOROVA (RUSSIA) | 42 | F | ||
6 | DAN MALOV & VERA ALKEVICH (ENGLAND) | 137 | F | ||
7 | ADAM HATHAZI & NIKA STEFANIC (HUNGARY) | 44 | 6 | 21 | |
8 | OLEKSIY FEDOROV & YELIZAVETA KRUK (UKRAINE) | 74 | 6 | 18 | |
9 | VLADIMIRS VOLOZANINOVS & ESTERE-BEATRISE KLAPERE (LATVIA) | 156 | 6 | 10 | |
=10 | LLOYD PERRY & REBECCA SCOTT (WALES) | 69 | 6 | 9 | |
=10 | PATRYK PLOSZAJ & ANNA KACZMARSKI (USA) | 227 | 6 | 9 | |
=10 | NAZARIY KOVALENKO & YANA ROMANCHUK (UKRAINE) | 236 | 6 | 9 | |
=13 | SERGIY AGVANYAN & DAR'YA SHAPOVALOVA (UKRAINE) | 70 | 5 | 15 | |
=13 | YAN STEPANENKO & POLINA RYABOVIL (UKRAINE) | 104 | 5 | 15 | |
15 | GEIKINS DAVIS & RIKA LIGA (LATVIA) | 49 | 5 | 14 | |
16 | ADRIA SERRA & KATERINA PARASCHOU (SPAIN) | 56 | 5 | 13 | |
17 | SLAWOMIR SOWA & NICOLINE KIRKEGAARD (DENMARK) | 230 | 5 | 10 | |
=18 | NICHOLAS STEVENS & ALEXANDRA GUTKOVICH (USA) | 59 | 5 | 9 | |
=18 | IVAN KUZNETSOV & ANASTASIA CHEPURNOVA (RUSSIA) | 115 | 5 | 9 | |
=20 | NIKITA DRUZHYNIN & BOBROVA ANASTASIIA (UKRAINE) | 113 | 5 | 8 | |
=20 | VLADYSLAV KORABLOV & YULIYA SUKHOTSKA (UKRAINE) | 140 | 5 | 8 | |
=22 | ILYA GOLOVCHENKO & KRISTINA BOGOSLAVSKAYA (RUSSIA) | 98 | 5 | 6 | |
=22 | VLADYSLAV MELNYCHENKO & ANNA PYSMENNA (UKRAINE) | 183 | 5 | 6 | |
24 | ROSTISLAV DZIDZOEV & MILENA BARABANOVA (RUSSIA) | 179 | 5 | 3 | |
25 | VIKTOR NATROSENIUK & DANIELLA PREAP (UKRAINE) | 153 | 4 | 16 | |
=26 | BIRKIR KARLSSON & PERLA STEINGRIMSDOTTIR (ICELAND) | 167 | 4 | 15 | |
=26 | ARTUR NABOK & DIANA MIROSHNICHENKO (UKRAINE) | 201 | 4 | 15 | |
=26 | HUGO GUSTAFSSON & ANNA GOTBORG (SWEDEN) | 218 | 4 | 15 | |
=29 | MARCIN KLEIST & OLGA BRONIKOWSKA (POLAND) | 157 | 4 | 14 | |
=29 | TONY COOPERMAN & SABRINA FLISFEDER (CANADA) | 177 | 4 | 14 | |
=29 | VLADISLAV GRIGIN & POLINA TARASENKO (RUSSIA) | 235 | 4 | 14 | |
32 | BRANDON STANLEY & ELISE MCCRONE (ENGLAND) | 65 | 4 | 13 | |
33 | NIKITA POLIAKOV & YULIYA KHODINA (RUSSIA) | 155 | 4 | 12 | |
=34 | OLEKSANDR VYKHOVANETS & POLINA NOVOSYOLOVA (UKRAINE) | 108 | 4 | 11 | |
=34 | RANNO AIGRO & GRETA KORJU (ESTONIA) | 123 | 4 | 11 | |
=36 | JAN JANZEN & MARIA HOUGESEN (DENMARK) | 176 | 4 | 10 | |
=36 | VOLODYMYR MASLO & OLEXANDRA KUCHERENKO (UKRAINE) | 188 | 4 | 10 | |
=36 | ANDREY VYSLOUKH & TAISIA CHALBASOVA (RUSSIA) | 198 | 4 | 10 | |
=39 | NORBERT CZERSKI & PAULINA SIEWIELEC (POLAND) | 209 | 4 | 9 | |
=39 | ALEX PLANT & FAYE EDGE (ENGLAND) | 220 | 4 | 9 | |
=39 | IGNATIY MALKOV & ANASTASIA SIDOROVA (RUSSIA) | 226 | 4 | 9 | |
42 | PETUR GUNNARSSON & RAKEL MATTHIASDOTTIR (ICELAND) | 107 | 4 | 8 | |
=43 | SIIM SAARIK & SIMOONA PEENSALU (ESTONIA) | 87 | 4 | 5 | |
=43 | CONNOR PARKINSON & CECILIE ENGSIG (DENMARK) | 103 | 4 | 5 | |
=43 | TYMOFII IVANCHENKO & VIKTORIIA YURASH (UKRAINE) | 121 | 4 | 5 | |
=43 | ALEKSANDR KALENYUK & ALEKSANDRA TROSHYNA (UKRAINE) | 147 | 4 | 5 | |
=43 | IVAN KUTSENKO & EKATERINA KOLENO (RUSSIA) | 194 | 4 | 5 | |
=48 | OLEH FEDORYNENKO & IRYNA RABOTINA (UKRAINE) | 151 | 4 | 4 | |
=48 | KIRYL SHVAIBOVICH & YANA TUDVASEVA (BELARUS) | 178 | 4 | 4 | |
50 | VALERIO GEROSI & FEDERICA CORONETTA (ITALY) | 77 | 4 | 3 | |
51 | DANIIL KOLOMIYETS & MARIIA USHENKO (UKRAINE) | 186 | 4 | 0 | |
=52 | ARTUR PANKRATOV & YELYZAVETA YUDASHOVA (UKRAINE) | 45 | 3 | 16 | |
=52 | DANILA TELPUKHOVSKIY & MILANA CHEKANOVA (RUSSIA) | 166 | 3 | 16 | |
=52 | CHRISTIAN YEUNG & ALEXIS TURKO (USA) | 187 | 3 | 16 | |
=52 | HOSKULDUR JONSSON & MARGRET JOHANNSDOTTIR (ICELAND) | 213 | 3 | 16 | |
=56 | NICOLE RANDELLI & NICCOLO BERZOLLA (ITALY) | 142 | 3 | 15 | |
=56 | MIKE MONOKANDILOS & CARA LOO (USA) | 159 | 3 | 15 | |
=56 | MARIAN MICHNA & KAROLINA VESELA (CZECH REPUBLIC) | 211 | 3 | 15 | |
=56 | OLEG SKASKIV & VIOLETA SIRENKO (UKRAINE) | 219 | 3 | 15 | |
=60 | WERNER LAANEOTS & LAURA-LIISA LOHMUS (ESTONIA) | 102 | 3 | 14 | |
=60 | OLIVER HAND & LIZZIE BEAMAN (ENGLAND) | 120 | 3 | 14 | |
=60 | JORDAN MAGUIRE & LAURA ROBINSON (ENGLAND) | 165 | 3 | 14 | |
=60 | ALEXANDER NAUMOV & OLESYA CHULYGINA (RUSSIA) | 175 | 3 | 14 | |
=60 | SAM LOUGHEED & MEGAN CHATTWOOD (ENGLAND) | 224 | 3 | 14 | |
=65 | OLEKSANDR TOLSTENKO & DIANA OVCHARENKO (UKRAINE) | 53 | 3 | 13 | |
=65 | CHRISTIAN SKIBSRUD & HELENE SPILLING (NORWAY) | 83 | 3 | 13 | |
=65 | EGOR MAKARENKO & MAE-YEE CHAN (ENGLAND) | 134 | 3 | 13 | |
=65 | JAROSLAV POSPISIL & TEREZA SEDLAKOVA (CZECH REPUBLIC) | 182 | 3 | 13 | |
=65 | MAGNUS-EDVALD HALLDORSSON & ANNA-SOLEY SVEINSDOTTIR (ICELAND) | 208 | 3 | 13 | |
=70 | MARTIN JANTSON & KERSTIN KESSA (ESTONIA) | 82 | 3 | 12 | |
=70 | VALENTYN POROLLO & STANISLAVA LAGUTA (UKRAINE) | 251 | 3 | 12 | |
=70 | DOMINIK VODICKA & BARBARA BELIKOVA (CZECH REPUBLIC) | 255 | 3 | 12 | |
=73 | IEVGENII LEKH & KSENIA EVDOKIMOVA (RUSSIA) | 58 | 3 | 11 | |
=73 | HIROAKI ONISHI & SAKINA ONISHI (JAPAN) | 125 | 3 | 11 | |
=73 | LARRY TOKAR & JULIANA HOFF (USA) | 243 | 3 | 11 | |
=76 | JARYD FARCON & DASHA RYNDYCH (USA) | 101 | 3 | 10 | |
=76 | DANYLO KOSTYUK & DARYA MAZHOVA (UKRAINE) | 164 | 3 | 10 | |
=78 | DAVIDE GILIOLI & SABRINA GRILLO (ITALY) | 97 | 3 | 9 | |
=78 | NEWELL CAREY & GIORGIA IANNACCONE (ITALY) | 122 | 3 | 9 | |
=80 | JONAS PETTERSEN & VILDE VELLE (NORWAY) | 144 | 3 | 8 | |
=80 | ALEKSANDR VASETSKIY & DEMANI ROMASZ (ENGLAND) | 163 | 3 | 8 | |
82 | ALEXANDER IVANOV & YULIA USTINENKO (RUSSIA) | 66 | 3 | 6 | |
=83 | RUSLAN ANTYUFEEV & NATALIA SAVINA (RUSSIA) | 128 | 3 | 4 | |
=83 | BRIANT LEYTMAN & NATASHA SHEVCHENKO (USA) | 250 | 3 | 4 | |
85 | MAXIM PICHUGIN & POLINA TCAREVA (RUSSIA) | 145 | 3 | 2 | |
=86 | DANYIL KLOKTA & KATERYNA VDOVYCHENKO (UKRAINE) | 81 | 2 | 19 | |
=86 | MARCO BODI & ALESSIA TURRINI (ITALY) | 222 | 2 | 19 | |
=88 | OLEKSANDR ISAEV & ANNA DEREKON (UKRAINE) | 85 | 2 | 18 | |
=88 | SALVATORE MANNELLA & LAURA SASSI (ITALY) | 168 | 2 | 18 | |
=88 | ELLIOTT LYTHGOE & LENA CHIEN (ENGLAND) | 233 | 2 | 18 | |
=91 | MAKSIM ANTIPOV & LIDIYA PETRENKO (RUSSIA) | 71 | 2 | 17 | |
=91 | NIKOLAY MOROZOV & TATIANA OVESHNIKOVA (RUSSIA) | 100 | 2 | 17 | |
=91 | MAGNUS GINGE & TENNA PETERSEN (DENMARK) | 154 | 2 | 17 | |
=91 | HARRY WILLIAMS & OLIVIA OATES (ENGLAND) | 161 | 2 | 17 | |
=95 | MARIO NUNCIOTTI & AURORA PACETTI (ITALY) | 46 | 2 | 16 | |
=95 | DENIS GUDOVSKI & CHRISTINA KURBATOVA (RUSSIA) | 200 | 2 | 16 | |
97 | BJORGVIN HALLDORSSON & HARPA STEINGRIMSDOTTIR (ICELAND) | 174 | 2 | 15 | |
=98 | DANYLO GROZENKO & ANASTASIIA KOLIESNIK (UKRAINE) | 106 | 2 | 14 | |
=98 | BRYNJAR BJORNSSON & HELGA JOMUNDSDOTTIR (ICELAND) | 111 | 2 | 14 | |
=98 | ARTEM SLESAREV & DARIA KOMAROVA (RUSSIA) | 143 | 2 | 14 | |
=98 | KRISTOFER-HAUKER HAUKSSON & HERBORG LUDVIKSDOTTIR (ICELAND) | 148 | 2 | 14 | |
=98 | GISLI SIGURDSSON & THORBJORG VALDIMARSDOTTIR (ICELAND) | 234 | 2 | 14 | |
=103 | DAVIDE BASILE & GIADA SACCOMANNO (ITALY) | 199 | 2 | 13 | |
=103 | LORENZO ZOMPARELLI & BRENDA ZAMPIEROLLO (ITALY) | 214 | 2 | 13 | |
=103 | HRYHORIY DUDYAK & ROKSOLANA MOSTYUK (UKRAINE) | 231 | 2 | 13 | |
=106 | YEVGENIY PATRUSHEV & IELYZAVETA CHUDAKOVA (UKRAINE) | 169 | 2 | 12 | |
=106 | HALVAR OLSEN & TUVA HALVORSEN (NORWAY) | 172 | 2 | 12 | |
=106 | LEWIS BAILEY & KIMBERLEY JONES (ENGLAND) | 195 | 2 | 12 | |
=106 | GREGORY RYBAKOV & NAOMI SPEKTOR (USA) | 210 | 2 | 12 | |
=106 | ALESSANDRO TENORE & ELENA DE BIASE (ITALY) | 223 | 2 | 12 | |
111 | VLADIMIR ROTAN & KARINA OKATOVA (RUSSIA) | 130 | 2 | 11 | |
=112 | ARTEM PLOKHOTNYUK & ANGELINA KHVATSKAYA (RUSSIA) | 73 | 2 | 10 | |
=112 | VICTOR BENGTSEN & IDA KOFOED (DENMARK) | 91 | 2 | 10 | |
=112 | RUBEN SANTOS & JOANA MENESES (PORTUGAL) | 127 | 2 | 10 | |
=115 | AHMET BUGRA KUSMEZ & ECE UZUNALIOGLU (TURKEY) | 68 | 2 | 9 | |
=115 | DANIIL EMELIANOV & OLGA KUDRYASHOVA (RUSSIA) | 86 | 2 | 9 | |
=115 | GIUSEPPE SQUITIERI & GIULIA BERNARDONI (ITALY) | 95 | 2 | 9 | |
=115 | DENYS SAVYTSKYI & OLENA TREGUB (UKRAINE) | 129 | 2 | 9 | |
=115 | VLADISLAV KRUPSKII & YULIA NAUMOVA (RUSSIA) | 162 | 2 | 9 | |
=115 | MATHEW STONEMAN & STEPHANIE NOON (ENGLAND) | 256 | 2 | 9 | |
121 | EVGENII ANDRIANOV & KSENIA BROVKINA (RUSSIA) | 248 | 2 | 8 | |
=122 | WILL DUFFIN & MELISSA KIRKPATRICK (ENGLAND) | 48 | 2 | 7 | |
=122 | TONI KAUPPINEN & ELLA HUUSKO (FINLAND) | 149 | 2 | 7 | |
=124 | STEVEN DEAN & AMY HOSSIN (ENGLAND) | 78 | 2 | 5 | |
=124 | ATO WATANABE & TAE KAWAI (JAPAN) | 245 | 2 | 5 | |
126 | VILKKU HILTUNEN & JULIA PYRRO (FINLAND) | 62 | 2 | 4 | |
=127 | ALEKSANDER SHAPOVALOV & VALERIYA CHERNOVA (RUSSIA) | 76 | 1 | 20 | |
=127 | EGOR KAPYRIN & IRINA RUBLEVA (RUSSIA) | 141 | 1 | 20 | |
=127 | MATT DUFFIN & JADE MCCABE (ENGLAND) | 239 | 1 | 20 | |
=130 | REYNIR STEFANSSON & NHAT MINH VU DUONG (ICELAND) | 79 | 1 | 19 | |
=130 | PIETRO CIAVARELLA & VIRGINIA GALINELLI (ITALY) | 116 | 1 | 19 | |
=130 | BJARNI-SAEVAR SVEINSSON & ALEXIA-MIST VIDISDOTTIR (ICELAND) | 118 | 1 | 19 | |
=130 | RHYS HEDGES & ROSIE SWOBODA (ENGLAND) | 191 | 1 | 19 | |
=134 | CHRISTIAN KRISTENSEN & ANIQUE BUCK-ARENTSEN (DENMARK) | 54 | 1 | 18 | |
=134 | PIETARI AIKIO & JOHANNA HEIKKILA (FINLAND) | 109 | 1 | 18 | |
=134 | LEWIS HATELEY & EMILY RICHARDSON (ENGLAND) | 212 | 1 | 18 | |
=137 | RUSLAN KOCHKAREV & OLESYA KOMARNITSKAYA (RUSSIA) | 203 | 1 | 17 | |
=137 | EYTHOR ANDRASON & MARTA CARRASCO (ICELAND) | 247 | 1 | 17 | |
=139 | BRENDAN PIERCE & AOIFE TOAL (IRELAND) | 193 | 1 | 16 | |
=139 | CHRISTOPHER RICHARDSON-HALL & AMY RICHARDSON-HALL (ISLE OF MAN) | 205 | 1 | 16 | |
=139 | BERGTHOR KJARTANSSON & ANITA-HLIN GUDNADOTTIR (ICELAND) | 221 | 1 | 16 | |
142 | LEWIS DANSON & CHLOE SMITH (ENGLAND) | 112 | 1 | 15 | |
=143 | MIROSLAV TYUTYUNEV & KSENIA EFIMOVA (RUSSIA) | 225 | 1 | 13 | |
=143 | DENIS SILIONOV & EKATERINA LYKOVA (RUSSIA) | 238 | 1 | 13 | |
=145 | MITCHEL GOLDING & MEGAN ALEBON (ENGLAND) | 90 | 1 | 12 | |
=145 | PAVEL POTEMKIN & ETEL KOBRINA (RUSSIA) | 158 | 1 | 12 | |
=145 | ARNI FANNAR ADALSTEINSSON & ANASTASIYA ZAKHARTCHOUK (ICELAND) | 246 | 1 | 12 | |
=148 | OLIVER CHATTWOOD & AMY HUNT (ENGLAND) | 105 | 1 | 11 | |
=148 | KJARTAN VIGNISSON & FRIDGERDUR-SUNNA SIGURDARDOTTIR (ICELAND) | 152 | 1 | 11 | |
=150 | KJARTAN INGI THORISSON & IRIS ROS HAUKSDOTTIR (ICELAND) | 63 | 1 | 10 | |
=150 | SERGIY DARAGAN & ANNA MASLOVA (UKRAINE) | 217 | 1 | 10 | |
=152 | DANIEL-KARI AGUSTSSON & SARA-DOGG OLAFSDOTTIR (ICELAND) | 88 | 1 | 9 | |
=152 | MARIUS FIGENSCHAU & MARTHE EKREM (NORWAY) | 132 | 1 | 9 | |
=154 | GERMAN KUTSYY & ALENA SHEKHVATOVA (RUSSIA) | 61 | 1 | 8 | |
=154 | BENJAMIN MARTTI & ELLA MALINEN (FINLAND) | 228 | 1 | 8 | |
=156 | SANDER LAUKAS & PHILIPPA THORESEN (NORWAY) | 52 | 1 | 7 | |
=156 | ANTTI AHO & JESSICA JOKI-HOLLANTI (FINLAND) | 150 | 1 | 7 | |
=156 | SCOTT GOLD & ELLEN GOLD (FINLAND) | 237 | 1 | 7 | |
=159 | ANDREY STOTSKIY & NATALIA POZHIDAEVA (RUSSIA) | 47 | 1 | 6 | |
=159 | ROBERT RAGNARSSON & ASTROS-EVA ARSAELSDOTTIR (ICELAND) | 180 | 1 | 6 | |
=161 | TOMI LINNALA & VEERA PITKAKANGAS (FINLAND) | 139 | 1 | 5 | |
=161 | VYACHESLAV KHARCHENKO & VALERIYA ZHYTYENOVA (UKRAINE) | 253 | 1 | 5 | |
=163 | MIKHAIL TARASOV & KRISTINA SIZOVA (RUSSIA) | 84 | 1 | 3 | |
=163 | BJORN ARMANN HALLDORSSON & ARNDIS ARMANN HALLDORSDOTTIR (ICELAND) | 93 | 1 | 3 | |
=163 | SERGEY NAZAROV & EVGENIYA SAMOKHINA (RUSSIA) | 216 | 1 | 3 | |
166 | TUMI GUDJONSSON & SOLEY-SARA MAGNUSDOTTIR (ICELAND) | 192 | 1 | 2 | |
=167 | JUHO HUHTALA & NEA PITKAKANGAS (FINLAND) | 75 | 1 | 1 | |
=167 | SINDRI SIGTHORSSON & BIRGITTA GUDMARSDOTTIR (ICELAND) | 229 | 1 | 1 | |
=167 | THOMAS RUBBI & VERONICA PANCALDI (ITALY) | 249 | 1 | 1 | |
=170 | ERAY KARAKUS & CAGIL AYDINER (TURKEY) | 51 | 1 | 0 | |
=170 | TERO LINNALA & JOHANNA INGALSUO (FINLAND) | 92 | 1 | 0 | |
=170 | GUDMUNDUR FLOSI THORISSON & ANNA MJOLL ADALSTEINSDOTTIR (ICELAND) | 133 | 1 | 0 | |
=170 | VALTTERI PONTISKOSKI & MARI TORVI (FINLAND) | 206 | 1 |
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